NEW YORK TIMES BESTSELLER!

For fans of Hidden Figures and Radium Girls comes the remarkable story of three Victorian women who broke down barriers in the medical field to become the first women doctors, revolutionizing the way women receive health care. 

In the early 1800s, women were dying in large numbers from treatable diseases because they avoided receiving medical care. Examinations performed by male doctors were often demeaning and even painful. In addition, women faced stigma from illness--a diagnosis could greatly limit their ability to find husbands, jobs or be received in polite society.

Motivated by personal loss and frustration over inadequate medical care, Elizabeth Blackwell, Elizabeth Garrett Anderson and Sophia Jex-Blake fought for a woman's place in the male-dominated medical field. For the first time ever, Women in White Coats tells the complete history of these three pioneering women who, despite countless obstacles, earned medical degrees and paved the way for other women to do the same. Though very different in personality and circumstance, together these women built women-run hospitals and teaching colleges--creating for the first time medical care for women by women.

With gripping storytelling based on extensive research and access to archival documents, Women in White Coats tells the courageous history these women made by becoming doctors, detailing the boundaries they broke of gender and science to reshape how we receive medical care today.

"Both a page-turning drama and an inspiration for every reader"--Hillary Rodham Clinton

Soon to Be a Major Television Event

The nail-biting climax of one of the greatest political battles in American history: the ratification of the constitutional amendment that granted women the right to vote. 

"With a skill reminiscent of Robert Caro, [Weiss] turns the potentially dry stuff of legislative give-and-take into a drama of courage and cowardice."--The Wall Street Journal

"Weiss is a clear and genial guide with an ear for telling language ... She also shows a superb sense of detail, and it's the deliciousness of her details that suggests certain individuals warrant entire novels of their own... Weiss's thoroughness is one of the book's great strengths. So vividly had she depicted events that by the climactic vote (spoiler alert: The amendment was ratified!), I got goose bumps."--Curtis Sittenfeld, The New York Times Book Review

Nashville, August 1920. Thirty-five states have ratified the Nineteenth Amendment, twelve have rejected or refused to vote, and one last state is needed. It all comes down to Tennessee, the moment of truth for the suffragists, after a seven-decade crusade. The opposing forces include politicians with careers at stake, liquor companies, railroad magnates, and a lot of racists who don't want black women voting. And then there are the "Antis"--women who oppose their own enfranchisement, fearing suffrage will bring about the moral collapse of the nation. They all converge in a boiling hot summer for a vicious face-off replete with dirty tricks, betrayals and bribes, bigotry, Jack Daniel's, and the Bible. 

Following a handful of remarkable women who led their respective forces into battle, along with appearances by Woodrow Wilson, Warren Harding, Frederick Douglass, and Eleanor Roosevelt, The Woman's Hour is an inspiring story of activists winning their own freedom in one of the last campaigns forged in the shadow of the Civil War, and the beginning of the great twentieth-century battles for civil rights.

From the New York Times, USA Today, and Wall Street Journal bestselling author of The Radium Girls comes another dark and dramatic but ultimately uplifting tale of a forgotten woman whose inspirational journey sparked lasting change for women's rights and exposed injustices that still resonate today.

"Moore has written a masterpiece of nonfiction."—Nathalia Holt, New York Times bestselling author of Rise of the Rocket Girls

1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of twenty-one years is plotting against her because he feels increasingly threatened—by Elizabeth's intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.

The horrific conditions inside the Illinois State Hospital in Jacksonville, Illinois, are overseen by Dr. Andrew McFarland, a man who will prove to be even more dangerous to Elizabeth than her traitorous husband. But most disturbing is that Elizabeth is not the only sane woman confined to the institution. There are many rational women on her ward who tell the same story: they've been committed not because they need medical treatment, but to keep them in line—conveniently labeled "crazy" so their voices are ignored.

No one is willing to fight for their freedom and, disenfranchised both by gender and the stigma of their supposed madness, they cannot possibly fight for themselves. But Elizabeth is about to discover that the merit of losing everything is that you then have nothing to lose...

Bestselling author Kate Moore brings her sparkling narrative voice to The Woman They Could Not Silence, an unputdownable story of the forgotten woman who courageously fought for her own freedom—and in so doing freed millions more. Elizabeth's refusal to be silenced and her ceaseless quest for justice not only challenged the medical science of the day, and led to a giant leap forward in human rights, it also showcased the most salutary lesson: sometimes, the greatest heroes we have are those inside ourselves.

"The Woman They Could Not Silence is a remarkable story of perseverance in an unjust and hostile world."—Susannah Cahalan, New York Times bestselling author of Brain on Fire

This riveting narrative explores the lives of six remarkable female pharaohs, from Hatshepsut to Cleopatra--women who ruled with real power--and shines a piercing light on our own perceptions of women in power today.

Female rulers are a rare phenomenon--but thousands of years ago in ancient Egypt, women reigned supreme. Regularly, repeatedly, and with impunity, queens like Hatshepsut, Nefertiti, and Cleopatra controlled the totalitarian state as power-brokers and rulers. But throughout human history, women in positions of power were more often used as political pawns in a male-dominated society. What was so special about ancient Egypt that provided women this kind of access to the highest political office? What was it about these women that allowed them to transcend patriarchal obstacles? What did Egypt gain from its liberal reliance on female leadership, and could today's world learn from its example?

Celebrated Egyptologist Kara Cooney delivers a fascinating tale of female power, exploring the reasons why it has seldom been allowed through the ages, and why we should care.

"According to conventional wisdom, American women's campaign for the vote began with the Seneca Falls convention of 1848 and ended with the ratification of the Nineteenth Amendment in 1920. The movement was led by storied figures such as Elizabeth Cady Stanton and Susan B. Anthony. But this women's movement was an overwhelmingly white one, and it secured the constitutional right to vote for white women, not for all women. In Vanguard, acclaimed historian Martha Jones offers a sweeping history of African American women's political lives in America, recounting how they fought for, won, and used the right to the ballot and how they fought against both racism and sexism. From 1830s Boston to the passage of the Voting Rights Act in 1965 and beyond to Shirley Chisholm, Stacey Abrams, and Kamala Harris, Jones excavates the lives and work of black women who, although in many cases suffragists, were never single-issue activists. She recounts the lives of Maria Stewart, the first American woman to speak about politics before a mixed audience of men and women African Methodist Episcopal preacher Jarena Lee Reconstruction-era advocate for female suffrage Frances Ellen Watkins Harper Boston abolitionist, religious leader, and women's club organizer Eliza Ann Gardner, and other hidden figures who were pioneers for both gender and racial equality. Revealing the ways black women remained independent in their ideas and their organization, Jones shows how black women were again and again the American vanguard of women's rights, setting the pace in the quest for justice and collective liberation. In the twenty-first century, black women's power at the polls and in politics is evident. Vanguard reveals that this power is not at all new, but is instead the culmination of two centuries of dramatic struggle"--

PULITZER PRIZE FINALIST • The highly anticipated biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.

“One of the most beautiful biographies I've ever read." —Glennon Doyle, author of #1 New York Times Bestseller, Untamed

With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her troubles with an unenlightened mental health industry; her Cambridge years and thunderclap meeting with Ted Hughes; and much more.

Clark’s clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath’s suicide promote a deeper understanding of her final days. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.

A New York Times, USA Today, Wall Street Journal, and Amazon Charts Bestseller!

"The glowing ghosts of the radium girls haunt us still." --NPR Books

Discover the gripping and inspiring true story of The Radium Girls, a groundbreaking work by acclaimed author Kate Moore. Immerse yourself in this compelling narrative that unravels the extraordinary lives of these fearless women who fought against all odds.

The Curies' newly discovered element of radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War.

Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive--until they begin to fall mysteriously ill.

But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come.

With meticulous research and a keen eye for detail, Kate Moore delves into the lives of these remarkable individuals, capturing their resilience, strength, and unwavering determination. Through their stories, she exposes the shocking negligence and corporate cover-ups that plagued the radium industry, ultimately sparking a revolution in workplace safety.

The Radium Girls is a masterful blend of historical account and heartfelt tribute. Moore's vivid prose brings these forgotten heroines back to life, ensuring that their sacrifices and triumphs are forever etched in our collective memory. As you turn each page, you'll be captivated by their indelible legacy and inspired by their enduring spirit.

The Radium Girls is a must-read for history enthusiasts, feminists, and anyone seeking a remarkable story of resilience and empowerment.

The New York Times bestselling biography Notorious RBG—whose concept originated with a Tumblr page of the same name—is now available in a vibrant, full-color young readers’ edition.

Supreme Court Justice Ruth Bader Ginsburg has become an icon to millions. Her tireless fight for equality and women’s rights has inspired not only great strides in the workforce but has impacted the law of the land. And now, perfect for a younger generation, comes an accessible biography of this fierce woman, detailing her searing dissents and powerful jurisprudence.

This entertaining and insightful young readers’ edition mixes pop culture, humor, and expert analysis for a remarkable account of the indomitable Ruth Bader Ginsburg: Heroine. Trailblazer. Pioneer.

New York Times Bestseller
Finalist for the 2022 Pulitzer Prize in Biography

"Janice P. Nimura has resurrected Elizabeth and Emily Blackwell in all their feisty, thrilling, trailblazing splendor." —Stacy Schiff

Elizabeth Blackwell believed from an early age that she was destined for a mission beyond the scope of "ordinary" womanhood. Though the world at first recoiled at the notion of a woman studying medicine, her intelligence and intensity ultimately won her the acceptance of the male medical establishment. In 1849, she became the first woman in America to receive an M.D. She was soon joined in her iconic achievement by her younger sister, Emily, who was actually the more brilliant physician.

Exploring the sisters’ allies, enemies, and enduring partnership, Janice P. Nimura presents a story of trial and triumph. Together, the Blackwells founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary, but their convictions did not always align with the emergence of women’s rights—or with each other. From Bristol, Paris, and Edinburgh to the rising cities of antebellum America, this richly researched new biography celebrates two complicated pioneers who exploded the limits of possibility for women in medicine. As Elizabeth herself predicted, "a hundred years hence, women will not be what they are now."

From award-winning author Paulina Bren comes the "captivating portrait" (The Wall Street Journal) of New York's most famous residential hotel--The Barbizon--and the remarkable women who lived there.

Welcome to New York's legendary hotel for women.

Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had--exclusive residential hotels with maid service, workout rooms, and private dining.

Built in 1927, at the height of the Roaring Twenties, the Barbizon Hotel was designed as a luxurious safe haven for the "Modern Woman" hoping for a career in the arts. Over time, it became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, it's almost 700 tiny rooms with matching floral curtains and bedspreads housed, among many others, Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith; and writers Joan Didion, Gael Greene, Diane Johnson, Meg Wolitzer. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel's residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream.

Not everyone who passed through the Barbizon's doors was destined for success--for some, it was a story of dashed hopes--but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since.

"Poignant and intriguing" (The New Republic), The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women looking for something more and a "brilliant many-layered social history of women's ambition and a rapidly changing New York through the 20th century" (The Guardian).

NATIONAL BOOK AWARD WINNER • NEW YORK TIMES BESTSELLER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft a “deeply layered and insightful” (The Washington Post) testament to people who are left out of the archives.
 
WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award

ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly

“A history told with brilliance and tenderness and fearlessness.”—Jill Lepore, author of These Truths: A History of the United States
 
In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. 
 
Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.
 
FINALIST: MAAH Stone Book Award, Kirkus Prize, Mark Lynton History Prize, Chatauqua Prize, Women’s Prize

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist

New York Times bestseller Eleanor Herman, author of Sex with Kings and Sex with Presidents, returns with another work of popular history, exploring the history of misogyny against women with power from Cleopatra to Kamala Harris.



Imagine Donald Trump as a woman, called Donna. Would Donna Trump have been viewed as blunt, honest, and refreshing? Would she have won the election?

Imagine Hillary Clinton as a man. Howard Clinton says and does the exact same things as Hillary. Would Howard Clinton have been portrayed in a thousand Pinterest images as a witch, stirring a cauldron or riding a broomstick? Would he have been called a bitch on countless T-shirts? Would his thoughtful, circumspect answers to media questions have been seen as inauthenticity, secretiveness, and untrustworthiness?

There is a particular kind of rage--let's call it unadulterated bloodlust--usually reserved for women, especially women in power or vying for it. From the ancient world, through the European Renaissance, up to the most recent U.S. elections, the Misogynist's Handbook, as Eleanor Herman calls it, has been wielded to put uppity women in their place.

In a story that is shocking, eye-opening, and a powerful force for change, Eleanor Herman's signature wit and humor explores the patterns that have been operating for more than three thousand years--and are still operating today--against powerful women across the globe, including Cleopatra, Anne Boleyn, Marie Antoinette, Catherine the Great, Hillary Clinton, Kamala Harris, and more.

Each chapter analyzes a tried-and-true misogynistic method to keep women down, including: Her Overweening Ambition, Why Doesn't She Do Something About Her Hair?, The Dangers of Female Hormones, The Alarming Shrillness of Her Voice, The Mysterious Unlikability of Female Candidates, She's a Bitch and Other Animals, She's a Witch and Other Monsters, and Her Sexual Depravity. Herman ends the book by looking forward, examining ways to rip up the Misogynist's Handbook once and for all.

“A fascinating look at how we talk about women. . . . Dense with information and anecdotes, Mother Tongue touches on the hilarious and the devastating, with ample dashes of an ingredient so painfully absent from most discussions of sex and gender: humor.” ―Lisa Selin Davis, The Washington Post

“[Nuttall] examines the origins of words used over many centuries to describe women’s bodies, desires, pregnancies, work lives, sexual victimhood, and stages of life. . . . Her research is comprehensive enough that even longtime word enthusiasts will find plenty of new trivia.” ―The New Yorker

An enlightening linguistic journey through a thousand years of feminist language—and what we can learn from the vivid vocabulary that English once had for women’s bodies, experiences, and sexuality

So many of the words that we use to chronicle women’s lives feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for women’s daily lives?

Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words that we have used to describe female bodies, menstruation, women’s sexuality, the consequences of male violence, childbirth, women’s paid and unpaid work, and gender. Along the way, she challenges our modern language’s ability to insightfully articulate women’s shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies.

Inspired by today’s heated debates about words like womxn and menstruators—and by more personal conversations with her teenage daughter—Nuttall describes the profound transformations of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past—and, in some cases, puts our twenty-first-century society to shame. Mother Tongue is a rich, provocative book for anyone who loves language—and for feminists who want to look to the past in order to move forward.

"Madame Restell is a sharp, witty Gilded Age medical history which introduces us to an iconic, yet tragically overlooked, feminist heroine: a glamorous women's healthcare provider in Manhattan, known to the world as Madame Restell. A celebrity in her day with a flair for high fashion and public, petty beefs, Restell was a self-made woman and single mother who used her wit, her compassion, and her knowledge of family medicine to become one of the most in-demand medical workers in New York. Not only that, she used her vast resources to care for the most vulnerable women of the city: unmarried women in need of abortions, birth control, and other medical assistance. In defiance of increasing persecution from powerful men, Restell saved the lives of thousands of young women; in fact, in historian Jennifer Wright's own words, "despite having no formal training and a near-constant steam of women knocking at her door, she never lost a patient." Restell was a revolutionary who opened the door to the future of reproductive choice for women, and Wright brings Restell and her circle to life in this dazzling, sometimes dark, and thoroughly entertaining tale. In addition to uncovering the forgotten history of Restell herself, the book also doubles as an eye-opening look into the "greatest American scam you've never heard about": the campaign to curtail women's power by restricting their access to healthcare. Before the 19th century, abortion and birth control were not only legal in the United States, but fairly common, and public healthcare needs (for women and men alike) were largely handled by midwives and female healers. However, after the Birth of the Clinic, newly-minted male MDs wanted to push women out of their space-by forcing women back into the home and turning medicine into a standardized, male-only practice. At the same time, a group of powerful, secular men-threatened by women's burgeoning independence in other fields-persuaded the Christian leadership to declare abortion a sin, rewriting the meaning of "Christian morality" to protect their own interests. As Wright explains, "their campaign to do so was so insidious-and successful-that it remains largely unrecognized to this day, a century and a half later." By unraveling the misogynistic and misleading lies that put women's health in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty, fractured reasoning underlying the very foundation of what has since been dubbed the "pro-life" movement. Thought-provoking, character-driven, funny, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women's rights, women's bodies, and women's history, women should have the last word"--

A New York Times Notable Book

As late as 1999, women who succeeded in science were called “exceptional” as if it were unusual for them to be so bright. They were exceptional, not because they could succeed at science but because of all they accomplished despite the hurdles.

“Gripping…one puts down the book inspired by the women’s grit, tenacity, and brilliance.” —Science
“Riveting.” —Siddhartha Mukherjee, author of The Gene

In 1963, a female student was attending a lecture given by Nobel Prize winner James Watson, then tenured at Harvard. At nineteen, she was struggling to define her future. She had given herself just ten years to fulfill her professional ambitions before starting the family she was expected to have. For women at that time, a future on the usual path of academic science was unimaginable—but during that lecture, young Nancy Hopkins fell in love with the promise of genetics. Confidently believing science to be a pure meritocracy, she embarked on a career.

In 1999, Hopkins, now a noted molecular geneticist and cancer researcher at MIT, divorced and childless, found herself underpaid and denied the credit and resources given to men of lesser rank. Galvanized by the flagrant favoritism, Hopkins led a group of sixteen women on the faculty in a campaign that prompted MIT to make the historic admission that it had long discriminated against its female scientists. The sixteen women were a formidable group: their work has advanced our understanding of everything from cancer to geology, from fossil fuels to the inner workings of the human brain. And their work to highlight what they called “21st-century discrimination”—a subtle, stubborn, often unconscious bias—set off a national reckoning with the pervasive sexism in science.

From the Pulitzer Prize–winning journalist who broke the story, The Exceptions chronicles groundbreaking science and a history-making fight for equal opportunity. It is the “excellent and infuriating” (The New York Times) story of how this group of determined, brilliant women used the power of the collective and the tools of science to inspire ongoing radical change. And it offers an intimate look at the passion that drives discovery, and a rare glimpse into the competitive, hierarchical world of elite science—and the women who dared to challenge it.

**SMITHSONIAN MAGAZINE, "10 BEST HISTORY BOOKS OF 2022"** 
**AMAZON, "BEST BOOK OF THE MONTH (Nonfiction)"** 
**APPLE, "BEST BOOK OF THE MONTH"**

From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms

For a woman traveling without her husband in the late nineteenth century, there was only one reason to take the train all the way to Sioux Falls, South Dakota, one sure to garner disapproval from fellow passengers. On the American frontier, the new state offered a tempting freedom often difficult to obtain elsewhere: divorce.

With the laxest divorce laws in the country, five railroad lines, and the finest hotel for hundreds of miles, the small city became the unexpected headquarters for unhappy spouses--infamous around the world as The Divorce Colony. These society divorcees put Sioux Falls at the center of a heated national debate over the future of American marriage. As clashes mounted in the country's gossip columns, church halls, courtrooms and even the White House, the women caught in the crosshairs in Sioux Falls geared up for a fight they didn't go looking for, a fight that was the only path to their freedom.

In The Divorce Colony, writer and historian April White unveils the incredible social, political, and personal dramas that unfolded in Sioux Falls and reverberated around the country through the stories of four very different women: Maggie De Stuers, a descendent of the influential New York Astors whose divorce captivated the world; Mary Nevins Blaine, a daughter-in-law to a presidential hopeful with a vendetta against her meddling mother-in-law; Blanche Molineux, an aspiring actress escaping a husband she believed to be a murderer; and Flora Bigelow Dodge, a vivacious woman determined, against all odds, to obtain a "dignified" divorce.

Entertaining, enlightening, and utterly feminist, The Divorce Colony is a rich, deeply researched tapestry of social history and human drama that reads like a novel. Amidst salacious newspaper headlines, juicy court documents, and high-profile cameos from the era's most well-known players, this story lays bare the journey of the turn-of-the-century socialites who took their lives into their own hands and reshaped the country's attitudes about marriage and divorce.

National Bestseller

“A well-researched and well-told epic history. The Dark Queens brings these courageous, flawed, and ruthless rulers and their distant times back to life.”--Margot Lee Shetterly, New York Times-bestselling author of Hidden Figures

The remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule.

Brunhild was a foreign princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet-in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport-these two iron-willed strategists reigned over vast realms, changing the face of Europe.

The two queens commanded armies and negotiated with kings and popes. They formed coalitions and broke them, mothered children and lost them. They fought a decades-long civil war-against each other. With ingenuity and skill, they battled to stay alive in the game of statecraft, and in the process laid the foundations of what would one day be Charlemagne's empire. Yet after the queens' deaths-one gentle, the other horrific-their stories were rewritten, their names consigned to slander and legend.

In The Dark Queens, award-winning writer Shelley Puhak sets the record straight. She resurrects two very real women in all their complexity, painting a richly detailed portrait of an unfamiliar time and striking at the roots of some of our culture's stubbornest myths about female power. The Dark Queens offers proof that the relationships between women can transform the world.

Perfect for readers of A Woman of No Importance, Three Ordinary Girls, and Eleanor: A Life comes the first-ever biography of Anna Marie Rosenberg, the Hungarian Jewish immigrant who became FDR’s closest advisor during World War II and, according to Life, “the most important official woman in the world” —a woman of many firsts, whose story, forgotten for too long, is extraordinary, inspiring, and uniquely American. Her life ran parallel to the front lines of history yet her influence on 20th century America, from the New Deal to the Cold War and beyond, has never before been told.

A Goodreads Choice Awards Nominee

As Franklin Delano Roosevelt’s special envoy to Europe in World War II she went where the president couldn’t go. She was among the first Allied women to enter a liberated concentration camp, and stood in the Eagle’s Nest, Hitler’s mountain retreat, days after its capture. She guided the direction of the G.I. Bill of Rights and the Manhattan Project. Though Anna Rosenberg emerged from modest immigrant beginnings, equipped with only a high school education, she was the real power behind national policies critical to America winning the war and prospering afterward. Astonishingly, her story remains largely forgotten.

With a disarming mix of charm and Tammany-hewn toughness, Rosenberg began her career in public relations in 1920s Manhattan. She became friends with Eleanor Roosevelt, who recommended Anna to her husband, who was then running for Governor of New York. As FDR’s unofficial adviser, Rosenberg soon wielded enormous influence—no less potent for being subtle. Roosevelt dubbed her “my Mrs. Fix-It.” Her extraordinary career continued after his death.

By 1950, she was tapped to become the assistant secretary of defense—the highest position ever held by a woman in the US military—prompting Senator Joe McCarthy to wage an unsuccessful smear campaign against her. In 1962, she organized John F. Kennedy’s infamous birthday gala, sitting beside him while Marilyn Monroe sang. Until the end of her life, Rosenberg fought tirelessly for causes from racial integration to women’s equality to national health care.

More than the story of one remarkable woman, The Confidante explores who gets to be at the forefront of history, and why. Though she was not quite a hidden figure, Rosenberg’s position as “the power behind,” combined with her status as an immigrant and a Jewish woman, served to diminish her importance. In this inspiring, impeccably researched, and revelatory book, Christopher C. Gorham at last affords Anna Rosenberg the recognition she so richly deserves.

“Far and away the most important woman in the American government, and perhaps the most important official female in the world.” —LIFE magazine, 1952

Bestselling author of Capote’s Women Laurence Leamer shares an engrossing account of the enigmatic director Alfred Hitchcock that finally puts the dazzling actresses he cast in his legendary movies at the center of the story.

Alfred Hitchcock was fixated—not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. The director of North by Northwest, Rear Window, and other classic films didn’t much care if they wore wigs, got their hair coloring out of a bottle, or were the rarest human specimen—a natural blonde—as long as they shone with a golden veneer on camera. The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend. But the women themselves have rarely been at the center of the story, until now.

In Hitchcock’s Blondes, bestselling biographer Laurence Leamer offers an intimate journey into the lives of eight legendary actresses whose stories helped chart the course of the troubled, talented director’s career—from his early days in the British film industry, to his triumphant American debut, to his Hollywood heyday and beyond. Through the stories of June Howard-Tripp, Madeleine Carroll, Ingrid Bergman, Grace Kelly, Janet Leigh, Kim Novak, Eva Marie Saint, and Tippi Hedren—who starred in fourteen of Hitchcock’s most notable films and who bore the brunt of his fondness and sometimes fixation—we can finally start to see the enigmatic man himself. After all, “his” blondes (as he thought of them) knew the truths of his art, his obsessions and desires, as well as anyone.

From the acclaimed author of Capote’s Women comes an intimate, revealing, and thoroughly modern look at both the enduring art created by a man obsessed…and the private toll that fixation took on the women in his orbit.

“Chasing Bright Medusas should appeal to anyone — novice or expert — ready to explore Cather’s life and work in the company of a critic so alert to the shimmering subtlety of her style and the hard years of effort that went into crystallizing it.” —The Washington Post

A tender biography of one of the greatest authors of the twentieth century and an elegant exploration of artistic endurance, as told by a lifelong lover of Willa Cather’s work

The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.

Unlike Hemingway, Faulkner, and Fitzgerald, her idealism was unironic, and she stood alone among the great modern authors—at odds with the fashionable attitudes of her time. Combining intricate analysis with an empathetic, lyrical voice, Benjamin Taylor uncovers the reality of Cather’s artistic development, from modest beginnings to the triumphs of her mature years. His book is simultaneously an homage to her character, a warm consideration of her work, and a case being made to read Cather with renewed vigor.

The first major biography in more than twenty years of one of America’s greatest writers, based on newly available letters and journals

V. S. Pritchett called her “a genius.” Gore Vidal described her as a “beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . .” And Tennessee Williams said, “The only real writer the South ever turned out, was Carson.”

She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she’d been “born a man.” At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer (“He was the best-looking man I had ever seen”). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel—The Heart Is a Lonely Hunter—was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time.

While McCullers’s literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood—and captured—the heart and longing of the outcast.

THE NEW YORK TIMES BOOK REVIEW NOTABLE BOOK • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now.

“This is the kind of history I wish I learned as a child dreaming of the stage!” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy

“Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!” —Tia Williams, author of A Love Song for Ricki Wilde

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.

These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.

Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

The story of the Combahee River Raid, one of Harriet Tubman's most extraordinary accomplishments, based on original documents and written by a descendant of one of the participants.

Publishers Weekly Starred Review
Library Journal Starred Review
Booklist Top Ten History Books of 2024

Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.

Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.

Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.

After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.

“Enlightening, nuanced, and honest.”—Lisa See

Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history.

One of Entertainment Weekly's "Books We Are Excited to Read in 2024"
 
Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest. 
 
Anna May starred in acclaimed films in Berlin, Paris, and London. She dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film.
 
Filled with stories of capricious directors and admiring costars, glamorous parties and far-flung love affairs, Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.
 

A Best Book of the Year by NPR and The Washington Post

An imaginative and riveting tour de force that tells the “powerful” (The New York Times Book Review) story of women-led slave revolts and chronicles scholar Rebecca Hall’s efforts to uncover the truth about these female warriors who, until now, have been left out of the historical record.

Women warriors planned and led revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas. And then they were erased from history.

Wake tells the “riveting” (Angela Y. Davis) story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.

Using a “remarkable blend of passion and fact, action and reflection” (NPR), Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes her life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.

Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. This story of a personal and national legacy is a powerful reminder that while the past is gone, we still live in its wake.

A GOODREADS CHOICE AWARD FINALIST FOR HISTORY AND BIOGRAPHY

"A new history of Egyptology that prioritizes the women whose contributions, for good and otherwise, shaped the field.” - The New York Times

The never-before-told story of the women Egyptologists who paved the way who paved the way for exploration in Egypt and laid the groundwork for Egyptology 

The history of Egyptology is often told as yet one more grand narrative of powerful men striving to seize the day and the precious artifacts for their competing homelands. But that is only half of the story. During the so-called Golden Age of Exploration, there were women working and exploring before Howard Carter discovered the tomb of King Tut. Before men even conceived of claiming the story for themselves, women were working in Egypt to lay the groundwork for all future exploration.

In Women in the Valley of the Kings: The Untold Story of Women Egyptologists in the Gilded Age, Kathleen Sheppard brings the untold stories of these women back into this narrative. Sheppard begins with some of the earliest European women who ventured to Egypt as travelers: Amelia Edwards, Jenny Lane, and Marianne Brocklehurst. Their travelogues, diaries and maps chronicled a new world for the curious. In the vast desert, Maggie Benson, the first woman granted permission to excavate in Egypt, met Nettie Gourlay, the woman who became her lifelong companion. They battled issues of oppression and exclusion and, ultimately, are credited with excavating the Temple of Mut.

As each woman scored a success in the desert, she set up the women who came later for their own struggles and successes. Emma Andrews’ success as a patron and archaeologist helped to pave the way for Margaret Murray to teach. Margaret’s work in the university led to the artists Amice Calverley’s and Myrtle Broome’s ability to work on site at Abydos, creating brilliant reproductions of tomb art, and to Kate Bradbury’s and Caroline Ransom’s leadership in critical Egyptological institutions. Women in the Valley of the Kings upends the grand male narrative of Egyptian exploration and shows how a group of courageous women charted unknown territory and changed the field of Egyptology forever.

NATIONAL BESTSELLER

An intimate and expansive look at Judy Blume’s life, work, and cultural impact, focusing on her most iconic—and controversial—young adult novels, from Are You There God? It’s Me, Margaret. to Blubber.

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

The acclaimed Pulitzer Prize finalist and #1 New York Times bestselling author of Galileo's Daughter crafts a luminous chronicle of the life and work of the most famous woman in the history of science, and the untold story of the many young women trained in her laboratory who were launched into stellar scientific careers of their own

"Even now, nearly a century after her death, Marie Curie remains the only female scientist most people can name," writes Dava Sobel at the opening of her shining portrait of the sole Nobel laureate decorated in two separate fields of science--Physics in 1903 with her husband Pierre and Chemistry by herself in 1911. And yet, Sobel makes clear, as brilliant and creative as she was in the laboratory, Marie Curie was equally passionate outside it. Grieving Pierre's untimely death in 1906, she took his place as professor of physics at the Sorbonne; devotedly raised two brilliant daughters; drove a van she outfitted with x-ray equipment to the front lines of World War I; befriended Albert Einstein and other luminaries of twentieth-century physics; won support from two U.S. presidents; and inspired generations of young women the world over to pursue science as a way of life.

As Sobel did so memorably in her portrait of Galileo through the prism of his daughter, she approaches Marie Curie from a unique angle, narrating her remarkable life of discovery and fame alongside the women who became her legacy--from France's Marguerite Perey, who discovered the element francium, and Norway's Ellen Gleditsch, to Mme. Curie's elder daughter, Irène, winner of the 1935 Nobel Prize in Chemistry. For decades the only woman in the room at international scientific gatherings that probed new theories about the interior of the atom, Marie Curie traveled far and wide, despite constant illness, to share the secrets of radioactivity, a term she coined. Her two triumphant tours of the United States won her admirers for her modesty even as she was mobbed at every stop; her daughters, in Ève's later recollection, "discovered all at once what the retiring woman with whom they had always lived meant to the world."

With the consummate skill that made bestsellers of Longitude and Galileo's Daughter, and the appreciation for women in science at the heart of her most recent The Glass Universe, Dava Sobel has crafted a radiant biography and a masterpiece of storytelling, illuminating the life and enduring influence of one of the most consequential figures of our time.

A comprehensive and engaging oral history of the decade that defined the feminist movement, including interviews with living icons and unsung heroes—from former Newsweek reporter and author of the “powerful and moving” (The New York Times) Witness to the Revolution.

For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and needed to be.

This engaging history traces women’s awakening, organizing, and agitating between the years of 1963 and 1973, when a decentralized collection of people and events coalesced to create a spontaneous combustion. From Betty Friedan’s The Feminine Mystique, to the underground abortion network the Janes, to Shirley Chisholm’s presidential campaign and Billie Jean King’s 1973 battle of the sexes, Bingham artfully weaves together the fragments of that explosion person by person, bringing to life the emotions of this personal, cultural, and political revolution. Artists and politicians, athletes and lawyers, Black and white, The Movement brings readers into the rooms where these women insisted on being treated as first class citizens, and in the process, changed the fabric of American life.

The extraordinary true story of four women pioneers in physics during World War II and their daring escape out of Nazi Germany

In the 1930s, Germany was a hotbed of scientific thought. But after the Nazis took power, Jewish and female citizens were forced out of their academic positions. Hedwig Kohn, Lise Meitner, Hertha Sponer and Hildegard Stücklen were eminent in their fields, but they had no choice but to flee due to their Jewish ancestry or anti-Nazi sentiments.

Their harrowing journey out of Germany became a life-and-death situation that required Herculean efforts of friends and other prominent scientists. Lise fled to Sweden, where she made a groundbreaking discovery in nuclear physics, and the others fled to the United States, where they brought advanced physics to American universities. No matter their destination, each woman revolutionized the field of physics when all odds were stacked against them, galvanizing young women to do the same.

Well researched and written with cinematic prose, Sisters in Science brings these trailblazing women to life and shows us how sisterhood and scientific curiosity can transcend borders and persist--flourish, even--in the face of seemingly insurmountable odds.