An Instant New York Times bestseller!
A #1 Indies Bestseller!
A Publisher's Lunch Best YA of 2023!
An Amazon Best Book of the Year!
Winner of the Boston Globe–Horn Book Award!
A Horn Book Fanfare Title!
A BookPage Best Book of the Year!
An Indigo Teen Staff Pick of the Month!
An Indie Next Pick!
FIVE STARRED REVIEWS FOR WARRIOR GIRL UNEARTHED!

#1 New York Times bestselling author of Firekeeper's Daughter Angeline Boulley takes us back to Sugar Island in this high-stakes thriller about the power of discovering your stolen history.

Perry Firekeeper-Birch has always known who she is - the laidback twin, the troublemaker, the best fisher on Sugar Island. Her aspirations won't ever take her far from home, and she wouldn't have it any other way. But as the rising number of missing Indigenous women starts circling closer to home, as her family becomes embroiled in a high-profile murder investigation, and as greedy grave robbers seek to profit off of what belongs to her Anishinaabe tribe, Perry begins to question everything.

In order to reclaim this inheritance for her people, Perry has no choice but to take matters into her own hands. She can only count on her friends and allies, including her overachieving twin and a charming new boy in town with unwavering morals. Old rivalries, sister secrets, and botched heists cannot - will not - stop her from uncovering the mystery before the ancestors and missing women are lost forever.


Sometimes, the truth shouldn't stay buried.

Pick this up if you love:
● high stakes heist
● will-they-won't-they romance
● family secrets spanning decades

This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be.

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team--even though he can't help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.

When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

But stepping into his brother's shoes as a star player means that Tre can't mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with.

After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon's dreams, their story isn't over yet.

This book is published by Heartdrum, an imprint that publishes high-quality, contemporary stories about Indigenous young people in the United States and Canada.

A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that

* European colonization in the 1600s was never a predetermined success;

* Native nations helped shape England's crisis of empire;

* the first shots of the American Revolution were prompted by Indian affairs in the interior;

* California Indians targeted by federally funded militias were among the first casualties of the Civil War;

* the Union victory forever recalibrated Native communities across the West;

* twentieth-century reservation activists refashioned American law and policy.

Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears.

Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too—a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina—Mackenzie knows this is more than she can handle alone.

Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams—and make them more dangerous.

What really happened that night at the lake, and what did it have to do with Sabrina’s death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • The Pulitzer Prize-finalist and author of the breakout bestseller There There ("Pure soaring beauty."The New York Times Book Review) delivers a masterful follow-up to his already classic first novel. Extending his constellation of narratives into the past and future, Tommy Orange traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Indian Industrial School through three generations of a family in a story that is by turns shattering and wondrous.

NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW

"For the sake of knowing, of understanding, Wandering Stars blew my heart into a thousand pieces and put it all back together again. This is a masterwork that will not be forgotten, a masterwork that will forever be part of you.” —Morgan Talty, bestselling author of Night of the Living Rez

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle,where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines.

In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in There There—warriors, drunks, outlaws, addicts—asking what it means to bethe children and grandchildren of massacre. Wandering Stars is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange’s monumental gifts.

A National Bestseller

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Longlisted for the National Book Award

An Oprah Daily "Best New Book" and "Riveting Nonfiction and Memoir You Need to Read" * A New York Times "New Book to Read" * A The New Yorker "Best Book out now" * An Esquire "Best Book (so far)" * A Zibby Mag "Most Anticipated Book" * An Elle "Best Book" * A Washington Post "Book to Read this Summer" * Publishers Weekly "Top 10 Memoir and Biography" * A San Francisco Chronicle "New Book to Cozy Up With" * A Publishers Weekly "Memoirs & Biographies: Top 10" * The Millions "Most Anticipated" * An Electric Lit "Books By Women of Color to Read" * An Amazon Editors "Best Book of the Month"

"We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn't know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so." -- Tommy Orange, National Bestselling Author of There There

Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition.

Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents--citizens of the Quechan Nation and Laguna Pueblo tribe--were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream."

Whiskey Tender traces how a mixed tribe native girl--born on the California Yuma reservation and raised in Navajo territory in New Mexico--comes to her own interpretation of identity, despite her parent's desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe's particular traditions and beliefs regarding oral and recorded histories. Taffa's childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.

Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present--the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations--she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.

"Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit." -- Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter

In this gripping stand-alone literary thriller set in the world of the award-winning post-apocalyptic novel Moon of the Crusted Snow, a scouting party led by Evan Whitesky ventures into unknown and dangerous territory to find a new home for their close-knit Northern Ontario Indigenous community more than a decade after a world-ending blackout.

For the past twelve years, a community of Anishinaabe people have made the Northern Ontario bush their home in the wake of the power failure that brought about societal collapse. Since then they have survived and thrived the way their ancestors once did, but their natural food resources are dwindling, and the time has come to find a new home.

Evan Whitesky volunteers to lead a mission south to explore the possibility of moving back to their original homeland, the "land where the birch trees grow by the big water" in the Great Lakes region. Accompanied by five others, including his daughter Nangohns, an expert archer, Evan begins a journey that will take him to where the Anishinaabe were once settled, near the devastated city of Gibson, a land now being reclaimed by nature.

But it isn't just the wilderness that poses a threat: they encounter other survivors. Those who, like the Anishinaabe, live in harmony with the land, and those who use violence.

BOOKPAGE MOST ANTICIPATED YA OF 2024



Shane works with her mother and their ghost dogs, tracking down missing persons even when their families can't afford to pay. Their own family was displaced from their traditional home years ago following a devastating flood - and the loss of Shane's father and her grandparents. They don't think they'll ever get their home back.



Then Shane's mother and a local boy go missing, after a strange interaction with a fairy ring. Shane, her brother, her friends, and her lone, surviving grandparent - who isn't to be trusted - set off on the road to find them. But they may not be anywhere in this world - or this place in time.



Nevertheless, Shane is going to find them.



Darcie Little Badger's Elatsoe launched her career and in the years since has become a beloved favorite. This prequel to Elatsoe, centered on Ellie's grandmother, deepens and expands Darcie's one-of-a-kind world and introduces us to another cast of characters that will wend their way around readers' hearts.



P R A I S E

★ "A classic fantasy adventure and a balm for any soul weary of oppression."

--Kirkus (starred)



★ "A wonderful addition to the Elatsoe universe with vital representation, worthy of any YA collection. Highly recommended."

--School Library Journal (starred)



★ "Allows readers to absorb each inventive twist, unexpected encounter, jolt of creepy menace, and dreamy illustration."

--Booklist (starred)



★ "With elements of Lipan Apache oral history, fantasy, and mysteries, the captivating novel Sheine Lende follows found and inherited family members as they persevere."

--Foreword (starred)



"Epic."

--Bulletin of the Center for Children's Books



"Gritty, luminous... beguiling."

--Shelf-Awareness



"Darcie Little Badger is so good at what she does, and I can't wait to see what she comes up with next."

--Locus Magazine


 

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine's Penobscot Reservation. He caught brief moments of his neighbor Elizabeth's life--from the day she came home from the hospital to her early twenties. But there's something deeper and more dangerous than the river that divides him from her and the rest of the tribal community. It's the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep.



Now, it's been weeks since he's seen Elizabeth, and Charles is worried. As he attempts to hold on to and care for what he can--his home and property; his alcoholic and bighearted friend Bobby; and his mother, Louise, who is slipping deeper into dementia--he becomes increasingly haunted by his past. Forced to confront a lost childhood on the reservation, a love affair cut short, and the death of his beloved stepfather, Fredrick, Charles contends with questions he's long been afraid to ask. Is his secret about Elizabeth his to share? And would his daughter want to know the truth, even if it could cost her everything she's ever known?


 

A REESE'S BOOK CLUB PICK

In her powerful debut novel, Looking for Smoke, author K. A. Cobell (Blackfeet) weaves loss, betrayal, and complex characters into a thriller that will illuminate, surprise, and engage readers until the final word. A must-pick for readers who enjoy books by Angeline Boulley and Karen McManus!

When local girl Loren includes Mara in a traditional Blackfeet Giveaway to honor Loren's missing sister, Mara thinks she'll finally make some friends on the Blackfeet reservation.

Instead, a girl from the Giveaway, Samantha White Tail, is found murdered.

Because the four members of the Giveaway group were the last to see Samantha alive, each becomes a person of interest in the investigation. And all of them--Mara, Loren, Brody, and Eli--have a complicated history with Samantha.

Despite deep mistrust, the four must now take matters into their own hands and clear their names. Even though one of them may be the murderer.

A USA TODAY Bestseller

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

A FINALIST FOR THE KIRKUS PRIZE FOR FICTION * A READ WITH JENNA BOOK CLUB PICK

"[A] sweeping, tender-hearted epic." --Harper's Bazaar

In this stunning novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people's lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He's determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter's and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this instant bestselling rom-com by critically acclaimed author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

NATIONAL BESTSELLER

"Impeccably researched. . . . A fascinating book and an important one." -- Washington Post

"[A] brilliant, kaleidoscopic debut. . . . Nagle's narrative is lucid and moving. . . . A showstopper." -- Publishers Weekly, starred review

Most Anticipated Book of the Fall: Washington Post, People, Los Angeles Times, Parade, Bustle, Book Riot, and Literary Hub

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

A groundbreaking and deeply personal exploration of Tribal enrollment, and what it means to be Native American in the United States

“Candid, unflinching . . . Her thorough excavation of the painful history that gave rise to rigid enrollment policies is a courageous gift to our understanding of contemporary Native life.” —The Whiting Foundation Jury

Who is Indian enough?

To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member of a Tribe requires navigating blood quantum laws and rolls that the federal government created with the intention of wiping out Native people altogether. Over two million Native people are tribally enrolled, yet there are Native people who will never be. Native people who, for a variety of reasons ranging from displacement to disconnection, cannot be card-carrying members of their Tribe.

In The Indian Card, Carrie Lowry Schuettpelz grapples with these contradictions. Through in-depth interviews, she shares the stories of people caught in the mire of identity-formation, trying to define themselves outside of bureaucratic processes. With archival research, she pieces together the history of blood quantum and tribal rolls and federal government intrusion on Native identity-making. Reckoning with her own identity—the story of her enrollment and the enrollment of her children—she investigates the cultural, racial, and political dynamics of today’s Tribal identity policing. With this intimate perspective of the ongoing fight for Native sovereignty, The Indian Card sheds light on what it looks like to find a deeper sense of belonging.

In the follow-up to the National Book Award–longlisted Shutter, Navajo forensic photographer Rita Todacheene grapples with a fanatical serial killer—and the ghosts he leaves behind.

A dual-voice cat-and-mouse thriller, told from the points of view of a killer who has created his own deadly religion and the only person who can stop him, an embattled young detective who sees the ghosts of his Native victims.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

Rita Todacheene, Albuquerque PD forensic photographer, is at a crisis point in her career. Her colleagues are watching her with suspicion after the recent revelation that she can see the ghosts of murder victims. Her unmanageable caseload is further complicated by the fact that half the department has blacklisted her for ratting out a corrupt fellow cop. And back home in Tohatchi on the Navajo reservation, Rita’s grandma is getting older. Maybe it’s time for her to leave policework behind entirely—if only the ghosts will let her . . .

A USA Today Bestseller

Award-winning author Jen Ferguson has written a powerful story about teens grappling with balancing resentment with enduring friendship--and how to move forward with a life that's not what they'd imagined.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger.

While she knows the accident wasn't Tray's fault, she will never forgive him for being there and failing to stop the damage. But she can't forgive herself for not being there either.

Determined to go on the trio's postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger.

Despite all her planning, the trail she'll walk has a few more twists and turns ahead. . . .

Discover the evocative storytelling and emotion from the author of The Summer of Bitter and Sweet, winner of the Governor General's Award, a Stonewall Award honor book, and a Morris Award finalist, as well as Those Pink Mountain Nights, a Kirkus Best Book of the Year!

NATIONAL BESTSELLER • From the award-winning author of the Cash Blackbear series comes a compelling novel of a Native American woman who learns of the disappearance of one of her own and decides enough is enough.

All they heard was her scream.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

Things are different now for Quill than when she was a lonely girl. Her friends Punk and Gaylyn are two women who don’t know what it means to quit; her loving husband, Crow, and their two beautiful children challenge her to be better every day. So when she hears a second woman has been stolen, she is determined to do something about it—starting with investigating the group of men working the pipeline construction just north of their homes.

As Quill closes in on the truth about the missing women, someone else disappears. In her quest to find justice for all of the women of the reservation, she is confronted with the hard truths of their home and the people who purport to serve them. When will she stop losing neighbors, friends, family? As Quill puts everything on the line to make a difference, the novel asks searing questions about bystander culture, the reverberations of even one act of crime, and the long-lasting trauma of being considered invisible.