A brave collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street.

It has been twenty-eight years since Sandra Cisneros published her last book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home—in the Mexico of her ancestors and in her own heart.

This collection of poems, creatively presented in the format of an allegorical house, will engage anyone who has ever wondered “why?” as it shows young readers that wonder is everywhere—in yourself and in the world around you.

Welcome to the Wonder House, a place to explore the cornerstone of every great thinker—a sense of wonder. This Wonder House has many rooms—one for nature, one for quiet, and one for mystery, among others. Each room is filled with poems and objects covering a wide variety of STEAM topics, including geology, paleontology, physics, astronomy, creative writing, and drawing, that will inspire curiosity in young readers.

This enchanting book written by award-winning poets Rebecca Kai Dotlich and Georgia Heard both sparks wonder and shows readers how to kindle it in themselves.

A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet.

Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love.

In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).

A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander.

In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, "each incantation," as Mahogany L. Browne puts it in her titular poem, is "a jubilee of a people dreaming wildly."

This essential collection, in the tradition of Dudley Randall's The Black Poets and E. Ethelbert Miller's In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens "Black woman joy" to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of "home" through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a "jewel in the hand" (Patricia Spears Jones) to "butter melting in small pools" (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists.

Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time.

A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award–winning author of Lighthead—to be published simultaneously with his latest work of literary criticism, Watch Your Language

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience.

For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

"A poetry-filled graphic novel that is powerful in its simplicity." ―Publishers Weekly, Starred Review

"Personal but personable, too, with glints of quiet humor." ―Kirkus Reviews, Starred Review

"Poetry Comics is . . . a sensorial experience that taps into what it means to be human and leaves you inspired to explore, discover, create, and connect." --Aron Nels Steinke, Eisner Award-winning cartoonist

From the creator of Incidental Comics, Grant Snider, comes a fun and imaginative book that combines poetry and comics in a whole new way. Perfect for poetry lovers and reluctant readers alike.

"Poetry Comics is a sprint through a sprinkler, a cool evening breeze, and the discovery of static electricity all at once. It's a sensorial experience that taps into what it means to be human and leaves you inspired to explore, discover, create, and connect."--Aron Nels Steinke, Eisner Award-winning cartoonist

From the cloud-gazing hours of early spring to the lost bicycles of late autumn, Grant Snider's brilliantly illustrated Poetry Comics will take you climbing, floating, swimming, and tumbling through all the year's ups, downs, and in-betweens. He proves that absolutely everything, momentous or minuscule, is worthy of attention, whether snail shells, building blocks, the lamented late bus, or the rare joy of unscuffed shoes. These poems explore everything you never thought to write a poem about, and they're so fun to read you'll want to write one yourself. Not to worry, there's a poem for that, too!

FOR COMIC BOOK FANS: These poems for kids are brightly illustrated in graphic novel-style panels, adding a delightful new element to approaching poetry. Perfect for visually oriented readers and young people who already love comics, cartoons, and graphic novels.

EXCITING NEW APPROACH TO POETRY: Funny, instructive, and thoroughly engaging, this poem book is a perfect addition to classroom libraries and poetry curricula.

POEMS FOR EVERY SEASON: With sections for winter, spring, summer, and fall, this poetry book offers teachers and kids lots to enjoy and share all year round.

SPARK A LOVE OF POETRY AND ART: Perfect for classroom writing and drawing prompts, this book will inspire readers of all ages to make and share poetry comics of their own!

Perfect for:

• Young readers of comics and graphic novels
• Aspiring poets, writers, and cartoonists
• Parents and educators seeking a fun and engaging way to introduce kids to poetry
• Reading and sharing during Poetry Month
• Readers looking for contemporary additions to classic children's poetry like Shel Silverstein's Where the Sidewalk Ends, Falling Up, and A Light in the Attic
• Fans of Mary Oliver looking to share an equally contemplative, nature-loving poet with kids
• Fans of Grant Snider books, including Nothing Ever Happens on a Gray Day, What Color Is Night?, What Sound Is Morning?, One Boy Watching, and There Is a Rainbow

NATIONAL BESTSELLER • From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 135 small poems, eleven of them new to this edition, and each a thought or observation compressed to its emotional essence

“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’  back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it’s a start.

Contributors to Ink Knows No Borders:

ELIZABETH ACEVEDO | SAMIRA AHMED | KAVEH AKBAR | EAVAN BOLAND | CHEN CHEN | SAFIA ELHILLO | MARTÍN ESPADA | CARLOS ANDRÉS GÓMEZ | JOSEPH O. LEGASPI | ADA LIMÓN | EMTITHAL MAHMOUD | BAO PHI | ALBERTO RÍOS | ERIKA L. SÁNCHEZ | GARY SOTO | CHRYSANTHEMUM TRAN | OCEAN VUONG | JAVIER ZAMORA . . . and many others.

This collection of sixty-four poems by poets who come from all over the world shares the experience of first- and second-generation young adult immigrants and refugees. Whether it’s cultural and language differences, homesickness, social exclusion, racism, stereotyping, or questions of identity, the Dreamers, immigrants, and refugee poets included here encourage readers to honor their roots as well as explore new paths, offering empathy and hope. Many of the struggles described are faced by young people everywhere: isolation, self-doubt, confusion, and emotional dislocation. But also joy, discovery, safety, and family. This is a hopeful, beautiful, and meaningful book for any reader.

An astonishing collection about interconnectedness--between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

"I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?

With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive."

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women--to encourage, challenge, and inspire.

One of American's most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

Continue your journey in the Women's Voices series with Jane Eyre, by Charlotte Bronte (ISBN: 978-1-4236-5099-7), The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).

A lyrical picture book debut from #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman and #1 New York Times bestselling illustrator Loren Long
 
"I can hear change humming
In its loudest, proudest song.
I don't fear change coming,
And so I sing along."
 
In this stirring, much-anticipated picture book by presidential inaugural poet and activist Amanda Gorman, anything is possible when our voices join together. As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves. 
 
With lyrical text and rhythmic illustrations that build to a dazzling crescendo by #1 New York Times bestselling illustrator Loren Long, Change Sings is a triumphant call to action for everyone to use their abilities to make a difference.